Coolies -- How Britain Re-Invented Slavery

On Video.google, the BBC has itself posted a complete one-hour documentary, exposing the 19th-century British practice of Indentured Labour, through which more than 1 million Indian workers were transported all over the world -- only to be told there was no provision to return. They were effectively only slightly better off than the African slave laborers they were brought in to replace. The latter had been emancipated in 1833, when the British government decided to end slavery and the slave trade throughout the Empire.

The documentary is brought to you by... who else? The BBC!



Some of the speakers include Brij Lal, an Indo-Fijian who now teaches in Australia, and David Dabydeen, an Indo-Guyanan novelist who now teaches in Warwick, UK. I've watched about 25 minutes of it so far, and it seems to be pretty well designed -- some historical overview, but not too much. Most of the focus is on the descendents of Indian indentured laborers, who are now trying to work out the implications of their history.

Incidentally, it looks like this video can be downloaded for free to your PC -- in case you're going to be sitting in a train or an airport for an hour sometime this weekend, and wanted a little "light" entertainment. (You will also need to download Google's Video Player application.)

History Lessons: From the Sepoy Mutiny (1857) to Iraq (Today)

I'm sorry I've been a slack blogger of late -- I was finishing up another article for a journal, this time on blogging, anonymity, and the changing concept of "authorship." It would be a shame to neglect this blog just as I'm starting to write professionally about blogging!

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At any rate, here's one recommendation: last week's Radio Open Source conversation with William Dalrymple. Many of the points Dalrymple makes will be familiar to people who have been following the reviews of his new book, The Last Mughal. (I blogged about it here)

What is new in this conversation is the attempt to make a direct parallel between the changing behavior of the British in the months and years leading up to the Mutiny, and the attitude of today's neo-conservative Hawks on the policy of "regime change" and "spreading democracy" around the Middle East.

The show was inspired by Ram Manikkalingam's excellent review of the book (along with Imperial Life in the Emerald City) up at 3 Quarks Daily.

Manan Ahmed, ("Sepoy" of Chapati Mystery -- highly appropriate to this topic) also makes an appearance in the last 20 minutes, talking about the work postcolonial historians have been trying to do to bring forward the kinds of stories Dalrymple's book focuses on.

The entire show is available for downloading as an MP3; if you are into downloading podcasts, this might be a good one. Otherwise, if you have 40 minutes, you might just want to listen to it right on the web.

Payless Shoes, Lipton Tea.... and the British Empire

A connection made through the magic of semiotics. The following is from an interview in n+1 Magazine:

A.S. Hamrah [ASH]: But you can barely see it [the new Payless Shoes logo] as it is. It’s like the orange from the old logo is haunting the new logo. Payless is haunting itself.

n+1: Is that a term semioticians use?

ASH: It’s a term I use.

n+1: What’s another example of haunting?

ASH: I don’t know if you can picture the Lipton’s tea box. Lipton is named for Sir Thomas J. Lipton, the founder of the company, who was a yachtsman and became a symbol of the British Empire . There’s a tiny picture of him in the corner of the box. He’s all white, not like a white colonialist, but white like a ghost. But no one ever notices that or thinks about Sir Thomas Lipton anymore. In fact he’s not even “Sir” anymore on the box, he’s just Thomas J. Lipton. They made him really small and they pushed him into the corner, where he now haunts his own brand. I guess they don’t want their tea to be associated with imperialism.Payless doesn’t have a figure like Thomas J. Lipton, but they’re haunting their own brand just the same. (link)

You could also reverse this logic: By drinking Lipton tea, the "native" is cannibalizing the colonial master's body, via metonymy. The ghost of Thomas Lipton in the logo is the spectre of colonial history, now reduced to a vestige.

More prosaically, here is some interesting background on the story of the rise of Lipton's tea empire (including the plantations in Ceylon/Sri Lanka).

Can anyone think of other examples of semiotic "haunting," in advertising or elsewhere?

(While you're at n+1, also check out the moving testimonial to the assasinated Turkish journalist Hrant Dink, on n+1's main page)