In the Washington Post: Vikram Chandra, and a little from me
I'm quoted in an article in this past Monday's Washington Post, on Vikram Chandra's Sacred Games:
The seminal event of Chandra's 45 years, by contrast, has been the transformation, beginning in the early 1990s, of India's sleepy socialist economy into a dynamic engine of internationalization and growth.
"We're living through this precarious time when great changes are happening," Chandra says. The India he grew up in felt like "a little bubble at a far distance from the rest of the world." But in the India his 7-year-old nephew has inherited, "the West as a presence is completely available every day -- and his expectations of his place in the world are very changed."
This new India is a place where the middle class is growing in size and confidence. It's also a place, as Chandra points out, where there's still "this huge mass of people who have nothing" but who can now see what they lack.
And it's a place, according to Lehigh University professor Amardeep Singh, where "the stories people want to tell" aren't so much about colonialism anymore.
Singh teaches courses with titles such as "Post-Colonial Literature in English," using texts from regions as diverse as Africa, South Asia and the Caribbean. He notes that Chandra's first novel was replete with colonial themes, but he sees "Sacred Games" as something quite different.
"I would use the phrase 'novel of globalization,' " Singh says. In "Sacred Games," he points out, the English language Chandra's upwardly mobile gangster struggles to learn is associated less with India's former colonizers than with the broader international economy that dictates its use.
Not surprisingly, the notion of a globalized Indian literature has sparked a backlash. Indian authors writing in English, especially those living overseas, have been charged by some critics with distorting Indian reality to cater to Western audiences. Chandra took some hits on this front himself, even before "Sacred Games," and was irritated enough to lash back in a Boston Review essay titled "The Cult of Authenticity."
His advice to any writer similarly attacked: "Do what it takes to get the job done. Use whatever you need. Swagger confidently through all the world, because it all belongs to you."