Works Cited

Bataille, Gretchen, and Bob Hicks.  “American Indians in Popular Film.”  Beyond the Stars.  Vol. 1.  Eds. Paul Loukides and Linda Fuller.  Bowling Green: Bowling Green State UP, 1990.  9-19.

Barker, Martin.  “First and Last Mohicans.” Sight and Sound 3.8 (1993): 26-29.

Barker, Martin, and Roger Sabin.  The Lasting of the Mohicans: History of an American Myth.  Jackson: UP of Mississippi, 1995.

Berkhofer, Robert F.  The White Man's Indian: Images of the American Indian, from Columbus to
the Present.  New York: Vintage Books, 1979.

Bird, Harrison.  Battle for a Continent.  New York: Oxford UP, 1965.

Bodnar, John.  Remaking America: Public Memory, Commemoration and Patriotism in the Twentieth Century.  Princeton: Princeton UP, 1992.

Cameron, Kenneth M.  America on Film: Hollywood and American History.  New York: Continuum, 1997

Clark, Robert.   “The Last of the Iroquois: History and Myth in James Fenimore Cooper’s The Last of the Mohicans.”  Poetics Today 3:4 (1982): 115-34.

Crowdus, Gary, ed.  The Political Companion To American Film.  Lakeview Press: 1994.

Edgerton, Gary.  “‘A Breed Apart’: Hollywood, Racial Stereotyping, and the Promise of Revisionism in The Last of the Mohicans.” Journal of American Culture 17.2 (1994): 1-20.

The Fort William Henry Museum

Hall, Stuart.  “The Question of Cultural Identity.”  Modernity and Its Future.  Ed. Stuart Hall, David Held, and Tony McGrew.  Cambridge: The Open University, 1992.  273-316.

How the West Was Lost.  Chris Wheeler, dir. and Jim Berger, prod.  Discovery Communications, Inc., 1993

Hoxie, Frederick E. ed.  Indians in American History.  Arlington Heights: Harlan Davidson Inc, 1988.

The James Fenimore Cooper Society

The Last of the Mohicans Web Site

Leckie, Robert.  “A Few Acres of Snow”: The Saga of the French and Indian Wars.  New York: John Wiley & Sons Inc., 1999.

McWilliams, John.  The Last of the Mohicans: Civil Savagery and Savage Civility.  New York: Twayne Press, 1995.

The Native Americans.  John Borden, dir. and Pat Mitchell prod.  TBS Productions, Inc., 1994.

On the Trail of the Last of the Mohicans

Pearce, Roy Harvey.  Savagism and Civilization: A Study of the Indian and the American Mind.  Los Angeles: U of California P, 1988.

Peary, Gerald, and Roger Shatzkin.  The Classic American Novel and the Movies.  New York:
Ungar, 1977.

Peck, H. Daniel, ed.  New Essays on The Last of the Mohicans.  Cambridge: Cambridge UP, 1992.

Prats, Armando Jose.  "'Outfirsting' the First American: 'History,' the American Adam, and the New
Hollywood Indian in Dances with Wolves, The Last of the Mohicans, and Geronimo: An American
Legend."  The Image of the American West in Literature, the Media, and Society.  Pueblo: Society
for the Interdisciplinary Study of Social Imagery, University of Southern Colorado, 1996.  197-208.

Reid, Lawrence.  “The Last of The Mohicans.”  Motion Picture News  4 Dec. 1920 (no page).

Rosenstone, Robert A.  Visions of the Past: The Challenge of Film to Our Idea of History.  Cambridge: Harvard UP, 1995.

Schlesinger, Arthur M., Jr.  The Disuniting of America.  New York: Norton. 1992.

Schwartz, Seymour L.  The French and Indian War, 1754-1763: The Imperial Struggle for North America.  New York: Simon &Schuster, 1994.

Steele, Ian K.  Betrayals: Fort William Henry and the “Massacre”.   New York: Oxford UP, 1990.

Walker, Jeffrey.  “ Deconstructing an America Myth: The Last of the Mohicans (1992).”        Hollywood’s Indian: The Portrayal of the Native American in Film.  Ed. Peter C.Rollins and John E. O'Connor.  Lexington: UP of Kentucky, 1998. 171-185.

Weitzel, Edward.  “Cooper’s ‘The Last of the Mohicans’ Finely Filmed by Maurice Tourner.”  Moving Picture World 4  Dec. 1920, 589.

The West.  Ken Burns, dir. and prod.  PBS Video, 1996.

Copyright (c) 1999 by Jessica Baker Roche, Undergraduate at Lehigh University.

This text may be used and shared in accordance with the fair-use provisions of the U.S. copyright law, and it may be archived and redistributed in
electronic form, provided that the author is notified and no fee is charged for access.  Archiving, redistribution, or republication of this text on other
terms, in any medium, requires the consent of the author.