template

One factor that separates the traditional visual arts, perhaps all the arts of Ghana, from the Western aesthetic is functionality. Art objects were designed to enhance sacred rituals, to provide a vital link to ancestors and spirits, and to maintain a sense of cultural identity for members of the society. That is not to say that decorative art, objects designed for their inherent beauty, are not a significant part of Ghanaian life. It is, however, more indicative of the traditional role of the arts in society to serve in a capacity beyond mere appearance. Carvers, painters, sculptors, and weavers serve a
vital role in preserving customs and providing an historical reference point for future members of society.

Kente is an Asante ceremonial cloth traditionally worn by kings and other dignitaries. It's modern roots date back to the 17th century with prototypes found many centuries earlier.

The patterned strips are seen as visual representations of the history and traditions of the culture. In modern times the colorful cloth is worn or displayed for many auspicious occasions.

Wood sculpture (masks, stools, drums, statues) represents an important contribution of Ghanaian artists. Both decorative and functional, original designs have been preserved and augmented to meet society's needs and to provide the non-African world with samples of the wood carvers' skills.

Masks were often representations of "spirit beings," used in rituals and ceremonies to enhance communication with the spirit world through intermediaries.

Larry Stockton, Lafayette College