Nadine Sine
Professor
         Chair 1992-2006
Music Department
358 Zoellner Arts Center
Lehigh University
610-758-3832 (o)
610-758-6470 (f)
njs0@lehigh.edu
Biography

In August 1980, Nadine Sine joined the faculty at Lehigh University as an instructor, having just completed course work for the Ph.D. at New York University. Three years later, that degree was granted for her dissertation entitled The evolution of symphonic worlds: Tonality in the symphonies of Gustav Mahler, and she was promoted to the rank of assistant professor. She was tenured in 1989 along with the promotion to associate professor, followed by full professor in 1996. Since 1992 she has served as department chair, leading the music department in a period of tremendous growth surrounding the move into the Zoellner Arts Center in 1997.

Scholarly activity has centered around the music and culture of the turn of the century; in addition to her work on Mahler, she has presented papers at the national meeting of the American Musicological Society and published articles on Strauss as well as early Schoenberg. In 2003 her entry on Alma Mahler in Women Composers: Music Through the Ages, vol. 7 was published, and in 2004 she delivered a paper on Alma Mahler and Amy Beach at the Seventh International Festival of Women Composers conference at Indiana University of Pennsylvania and Carnegie Mellon.

Sine has performed extensively with choral ensembles at the university, in the community, and professionally. For two years she was a DJ on a weekly program of classical music on WDIY-FM, the Lehigh Valley's first public radio station, and she has often written program notes and offered pre-concert lectures for professional ensembles in the state, particularly for visiting orchestras at the Zoellner Arts Center.

At Lehigh University, Professor Sine teaches the four-semester music history sequence, occasional courses devoted to particular composers (e.g., Bach, Mozart, Beethoven, Mahler), appreciation courses and a freshman seminar on Mozart. She also advises the growing number of music majors and minors.

Since 1989 Sine has been married to Robert J. Thompson, a clinical social worker (now retired), community activist and an occasional performer on accordion. They live within walking distance of the campus and regularly entertain students in her classes, music majors and faculty.

Sine's undergraduate degree was from Temple University in music education, although student teaching convinced her that public school teaching was not in her future. Instead she spent four years working with Joanne Rile in the field of artist management. Only after taking a graduate research course at Temple with Mildred Parker in 1974 did she find her niche. A masters degree in music history from Temple brought with it an assistantship, later adjunct teaching at Temple, and an adjunct position at Haverford College.

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Nadine Sine
Music Department, Zoellner Arts Center
Lehigh University, Bethlehem, PA 18015
610-758-3832


EDUCATION:
    Ph.D. Oct. 1983 New York University, New York, NY (Musicology), "The Evolution of Symphonic Worlds: Tonality in the Symphonies of Gustav Mahler," Dissertation
    M.M. Aug. 1976 Temple University, Phila. PA (Music History)
    B.M.Ed.Jan. 1971 Temple University, Phila. PA (Music Education)
TEACHING:
    1980-        Lehigh University,
            Full Professor (96), Associate Professor (89), Assistant Professor (83), Instructor       (80)
    1980         Temple University, Visiting Lecturer, College of Music (Summer)
    1979-80    Haverford College, Adjunct faculty, Music Department
    1978-80    New York University, Teaching Assistant, Music Department
    1976-79    Temple University, Adjunct faculty, Continuing Ed. (Summer)
    1976-77    Temple University, Adjunct faculty. College of Music
    1975-76    Camden County Community College, Adjunct faculty
    1974-76    Temple University, Teaching Assistant, College of Music
SCHOLARLY ACTIVITY:
    PUBLICATION:
      "Alma Maria Schindler-Mahler (1870-1964)"
        in Women Composers, Volume 7: Composers Born 1800-1899, Vocal Music, Sylvia Glickman and Martha Furman Schleifer, eds., (G. K. Hall, 2003) 640-648; 654-655.
      "Selling Salome in America,"
        in Opera and the Golden West: The Past, Present, and Future of Opera in the U.S.A., John L. DiGaetani and Josef P. Sirefman, eds, (Fairleigh Dickinson Univ. Press, 1994), 181-197.
      Review of Peter Franklin,
        Mahler: Symphony No. 3, (Cambridge Univ. Press, 1991) and Friedrich Krummacher, Gustav Mahlers III. Symphonie: Welt im Widerbild (Bärenreiter, 1991) in MLA Notes 50(1994)975-977.
      Review of James Zychowicz, ed.,
        The Seventh Symphony of Gustav Mahler: A Symposium, (Univ. of Cincinnati College-Conservatory, 1990) in Current Musicology 53(1993)105-112.
      Review of Robert G. Hopkins,
        Closure and Mahler's Music, (U.of Penn. Press, 1990) in MLA Notes 49 (1992)120-122.
      "It must become a real French Opera": Strauss's Salomé,"
        (accepted by Journal of Musicology)
      "Cases of Mistaken Identity: Salome and Judith at the Turn of the Century,"
        German Studies Review, Vol. 11(1988)9-29.

    EDITING:
      "Gurre-Lieder: Corrections to the Published Score,"
        Used in performance under Claudio Abbado, 8/8/88 Berlin; 8/14/88 Vienna; 8/16/88 Frankfurt.

    PAPERS:
      "Alma and Amy: Case Studies in Aptitude, Access, Approbation and Accommodation,"
        Seventh Festival of Women Composers at Indiana University of Pennsylvania with Carnegie Mellon University, March 17, 2004.
      "Sprechgesang in Schoenberg's Pierrot lunaire,"
        Response to paper by Roger Lustig, Joint meeting of the New York State Theory Society and the Arnold Schoenberg Institute, Columbia University, October 5, 1991.
      "Selling Salome in America"
        Opera in the Golden West conference, Hofstra University, April 20, 1991.
      "The Unknowable made Audible: Musical Representations of Women by Men,"
        Decadence and the Modern Mind: Literature and the Arts at the End of the Centuries, Loyola College in Maryland, Baltimore, April 4, 1991.
      "Music at the Turn of the Century,"
        New Perspectives on the 1890s conference, Lehigh Valley Colleges, October, 1989.
        "Berg on Schoenberg: Berg's Analysis of Gurre-Lieder," American Musicological Society, National Meeting, Baltimore, November 1988.
      "Strauss's Forgotten Salomé,"
        American Musicological Society, National Meeting, Cleveland, November 1986.
      "The Mahlerian Moment: New Meanings for Old Forms,"
        American Musicological Society, Mid-Atlantic Chapter, Rutgers Univ., April 1982.

    SEMINAR DIRECTION
      1999 -
        Director for NEH Summer Seminar for School Teachers: The World of Yesterday: Viennese Perspectives on Culture, the Arts and Ideas, 1890-1940. July 5-August 6. $79,000 budget funded by NEH.

    PERFORMANCE (as a mezzo in vocal ensembles):
      (See attached list for additional performances of note)
      2001       Lehigh University Choir - including tour of Russia
      1998       Lehigh University Choir - Bach, Mass in B Minor
      1997       Lehigh University Choir - all performances, including tour of France
      1985-      Lehigh University Choral Union: virtually all performances.
      1984-      Shippensburg University Festival Chorus:
            (professional ensemble) performance each July.
      1980-96  Concord Chamber Singers:
            approx. 7 performances per year including Lehigh University Baccalaureate;     Summer 1990 performing tour of Salzburg and Vienna. Conduct frequent     sectional rehearsals.
RELATED ACTIVITY:
    Program Annotator:
      Shippensburg University Summer Festival - program notes, c. 1200 words for each of three concerts each year, 1988-93.
      WDIY, 88.1 FM - Classical music programmer, announcer, engineering for Tuesday Afternoon Classics, January 1995 through September 1996

    Lectures and Pre-Concert Presentations:
      Pre-Concert Lecture - Tonhalle Orchestra with David Zinman, May 9, 2004
      Pre-Concert Lecture for Czech Philharmonic, Zoellner, Feb. 15, 2003
      Panelist with Peter Philips on performing Haydn at Oxford Summer Institute, June 28, 2002
      Pre-Concert Lecture for Warsaw Philharmonic, Zoellner Feb. 15, 2002
      Pre-Concert Lectures for Lehigh Valley Chamber Orchestra, Jan. 18, 19, 2002
      Pre-Concert Lecture for Bolshoi Symphony, Zoellner, March 23, 2001
      Pre-Concert Lectures for Lehigh Valley Chamber Orchestra, Sept. 8, 9, 2000
      "On the Perils of Composing on Commission," Lecture, Moravian College, Sept. 7, 2000
      Pre-Concert Lecture for Royal Philharmonic at Zoellner, Feb. 23, 2000
      Panelist for Fables and Folklore: A Gender Perspective, Dec. 2, 1999
      Pre-Concert Lecture for Lehigh Valley Chamber Orchestra, March 7, 8, 1997
      Pre-Concert Lecture for Lehigh Valley Chamber Orchestra, October 6,7, 1995
      "Orff's Carmina Burana," Pre-concert notes, LU, April 29, 1994
      "Mendelssohn's Loreley and Mahler's Das klagende Lied," Pre-concert notes, LU, April 30, 1993
      "Monteverdi's Vespers of 1610": Pre-concert lecture, LU, Feb. 15, 1992
      "Love and Death at the Opera: Three Verdi Heroines," Lecture for the Italian Culture Institute at Muhlenburg College, April 8, 1991
      "Bach's Christmas Oratorio," Lecture for LU Deutsches Haus, December, 1988
      "Thoughts on Pierrot lunaire," Joint lecture with Jan De Gaetani and Paul Salerni during Artist-in-Residency program, LU, April 5, 1988

    Conferences:
      Tales of Revenge:
        A Symposium on Legend in German Romantic Music, held at LU in connection with Choral Arts performances of Mendelssohn's Loreley and Mahler's Das klagende Lied, May 1, 1993. Conference director, including contracting keynote speakers and recitalists, issuing call for papers, refereeing papers, designing and printing flyers, order forms and program, hosting symposium.
      New Perspectives on the 1890s.
        Conference, held at Allentown College, October 1989, Steering Committee (1988-89), including chairing session on "Sexuality and the Arts," refereeing paper proposals, contracting keynote speaker.

    Panelist, Referee, Reader:
      1998       Panelist at Conference for NEH Directors:
            "Mapping Culture" October, Washington DC
      1998       Panelist in discussion of "Business and the Arts"
            for Lehigh Valley Assoc. of Univ. Women
      1993       College Music Society, refereed papers for regional conference
            at Lafayette College
      1992       NEH panelist reviewing proposals by scholars in Art and Music
            applying to direct a Summer Seminar for College Teachers, Washington,
            May 5
      1991       Proteus, "Mozart: Changing Perceptions 1791-1991" Fall 1991
            (refereed seven papers)
      1989       NEH panelist reviewing July Travel to Collections proposals
      1988       NEH panelist reviewing July Travel to Collections proposals
      1986       Moravian College: reader and panelist for honors candidate Carol Traupman,
            "Orchestration in Mahler," May
      1985       Proteus, Bach Anniversary issue, referee

    Miscellaneous:
      2000       Lehigh Valley Chamber Orchestra -
           Committee to plan current Millennium season.
      1999       Served as Program Reviewer for Wake Forest University
           Music Department, March.
      1999       Served as Program Reviewer for Colgate University
           Music Department, October.
      1998       Application to direct Summer Seminar for School Teachers,
            NEH, for summer 99-FUNDED
      1997       Lehigh Valley Chamber Orchestra -
            Committee to plan 20th Anniversary year programs.
      1994       WDIY (new Lehigh Valley NPR station),
            develop program for show on Music at Lehigh with Paul Salerni.
      1990       Bethlehem 250th Anniversary:
            two music subcommittees, one arranging two concerts of 9 works
            commissioned jointly by the Anniversary Committee and by Bethlehem
            ensembles (e.g. LV Chamber Orchestra, LU Choral Arts, Freedom HS Band,
            etc.). Concord Chamber Singers: Author of grant proposals funded by
            Pennsylvania Council on the Arts: 1991, 1990, 1988, 1987.
      1990       Temple University,
           College of Music faculty:
          Seminar director for second half of a graduate course in Mahler, substituting for the hospitalized Bruce Archibald.
           Concord Chamber Singers:
          Concert Manager, VP (1987-88), Pres. (1988-92), occasional rehearsal and sectional conductor.
           1984  Temple University, College of Music faculty:
          Seminar director for "Words about Music": Prose writing for music majors, January.
      1980      Haverford College: Consultant on music library holdings.
      1978      NYU: Administrative Assistant to Music Department, Summer.
      1971-     Rile and McDade, Inc. (Phila.):
           Assistant to Joanne Rile, Concert Artists' Manager (to 1977).

    GRANTS, AWARDS, HONORS:
      1998      NEH to direct Summer Seminar for School Teachers $79,000
      1988      NEH Summer Seminar:
           "The Music of Wagner," Robert Bailey, director; New York University.
      1988      NEH Travel Grant:
          "Gurre-Lieder corrections and revisions," Archive of the Arnold Schoenberg
          Institute, Los Angeles.
      1987      LU Provost's Grant: for study of Schoenberg's Gurre-Lieder in Austria.
      1985      LU Unsponsored research study grant for work on Strauss's Salome.
      1984      NEH Summer Seminar, "The 1890's in Germany and Austria,"
          (an interdisciplinary seminar) Sander Gilman, director; Cornell University.
      1978      New York University: Langley Fellowship.
      1977      New York University: University Scholarship.
      1966      Philadelphia Board of Education: Four-year college scholarship.
    PROFESSIONAL MEMBERSHIPS:
      American Musicological Society
      Music Library Association
      College Music Society
      National Assoc. of Schools of Music

    LEHIGH ACTIVITY:

      COURSES TAUGHT:
        Music 1:      Listening to Music
        Music 20:    Introduction to Music Literature*
        Music 80:    Masterpieces of Music*
        Music 90:    College Seminar: "What does music 'say'?"*
        Music 90:    College Seminar: "Mozart: the Man, the Myth, the Music"*
        Music 111:  Theory I
        Music 131:  Chamber Music
        Music 132:  Bach*
        Music 132:  Bach and Handel*
        Music 132:  Mozart*
        Music 132:  Beethoven*
        Music 132:  Mahler and Strauss*
        Music 133:  Medieval and Renaissance Music** (Mus 233 as of '94)
        Music 134:  Baroque and Classical Music** (Mus 234 as of '94)
        Music 137:  Romantic Music** (Mus 235 as of '94)
        Music 138:  Twentieth-Century Music** (Mus 236 as of '94)
        Music 251:  Special Topics: Survey of Western Music (John Cole, Spring 81)
        Music 251:  Special Topics: Theory III (Cathy Chong, Fall 85)
        Music 291:  Independent Study (various topics)
        Music 300:  Apprentice Teaching
        (supervised Jon Eisenberg-Mus 234; Darlene Dreyer-235; Michelle Judd-234)
      Music
        * designated courses include substantial amounts of prose writing in keeping with goals of the "Writing across the Disciplines" program
        ** designated courses offered as writing intensive for juniors in College of Arts and Sciences as needed most courses include a party at my home for students, usually dinner and an opera or related video

    DEPARTMENT ACTIVITY:

      CHAIRPERSON: Some Highlights since 1992
        Work with development
          to establish Snyder Family March Band Scholarship endowment (00-03)
        Assumed role of producer for the production of The Music Man, Fall 02
        Develop and oversee student recital program:
          noon recitals, junior and senior recitals (98- )
        Develop and run Department Awards Ceremony (97- )
        Oversee, coordinate, assist in move of Greene Collection
          during Christmas week (97-98)
        Oversee and often execute marketing efforts and programs for all Music events (97; 98)
        Oversee and coordinate move into Zoellner, including weeks of forced, hard labor (96-97)
        Create (one-year) position for Artist in Residence, Eugene Albulescu (97)
        Work with development office
          on numerous advancement events for Zoellner (92-98)
        Create plan for furnishing the building with pianos,
          including compiling the first budget numbers for all department accounts combined (96); earlier entered into a piano loan agreement with Taylor Music (93-96)
        Lead selection committee
          for Steinway Concert Grand, partially donated by Dexter Baker
        Work with VP for Information Resources
          to secure David Greene Audio Collection (96-97)
          Attend week-long workshop for Music Administrators, DePaul Univ. (94)
        Work with Financial Aid and Admissions
          to develop Baker and later Choral Arts merit scholarship programs; recruiting, promoting, developing brochures (93- )
        Secure funding for upgrade of percussion equipment (1994)
        Secure lectureship (originally Paul Chou, later Bill Warfield; 98-Albulescu)
        Develop department mission statement (1995; 1998);
          reassess theory curriculum (1994; 98)
        Initiate series of noon recitals for students;
          work with Community Relations to bring in school students and senior citizens for these (1993- )

        Special Performances (as mezzo in various ensembles):
        2001   University Choir - Tour to Russia
        2001   University Choir - Sametz, Carmina amoris. Premiere. May
        1998   Bach, Mass in B Minor
        1997   Hindemith, Hin und Zurück, "Aunt Emma", LUVME, March
        1997   University Choir - all spring performances, including tour of France
        1994   Kim, Some Thoughts on Keats and Coleridge,
          LU Baccalaureate with Concord Chamber Singers, to recognize Kim's honorary doctorate by LU, May.
        1993   Salerni, Prayer Premiere, LUVME, October.
        1993   Sametz, Desert Voices, Premiere with University Choir, March.
        1992   Bethlehem 250th Commissioned Works concerts:
          Moran, Rituals and Ceremonies, Sametz, Muji no makotoba, Wargo, Sketches from Erin, May.
        1992   Monteverdi Vespers, with University Choir and Chanticleer, February.
        1988   Bach, Johannes Passion, with University Choir, April.
        1985   Hindemith,Hin und Zurück,, "Aunt Emma", LUVME, November.

      Ongoing:
        Advise all majors and minors
        Linderman Library:
          oversee ordering of all books and scores for the music collections
        Lamberton Listening Library:
          (to 1997) some supervision of student help; order all scores, CDs, records, catalog or supervise cataloging of all scores, records and CDs, order and maintain equipment for library and classrooms
        Zoellner Listening Library: oversee staff and choice of material for ordering
        Choral Union: membership, occasional rehearsal and sectional conductor
        New York bus trips:
          direct roughly one trip per year to Lincoln Center for opera or ballet performance, with afternoon museum stops designed to coordinate with courses offered; also trips to Lafayette College, to All-Star Forum Series in Philadelphia, etc.
        Attend virtually all departmentally sponsored concerts, most Zoellner Presenting Series

    COLLEGE AND UNIVERSITY ACTIVITY:
      2004        ArtsLehigh Advisory Board
      2003        Creativity project ad hoc committee
      2002        Ulrich Chair in Orchestral Music Committee
      2001-04   Tenure Committee
      2001-02   Faculty Member of the Board of Trustees Cultural Affairs Committee
      2001-02   Reconceptualizing the Arts at Lehigh Committee
      2000
        Evaluation of Teaching Committee
        Merit Pay Sub Committee
        Ulrich Chair in Music Committee
      1998-       Williams Prize Committee - department contact and judge
      1997        Co-chair (with Gene Mercy, trustee) Search for Zoellner Arts Center Director
      1996-97    Provost Search Committee
      1996-98    Faculty Member of the Board of Trustees Cultural Affairs Committee
      1996         Arts & Sciences 1 Advising
      1994         Responsibility Center Budgeting Lead Team (appointed by President)
      1992-96    Cultural Events Committee
      1992-98    ZAC Planning, Policy Committees
      1990-93    College Policy Committee
      (ongoing)  Writing Advisory Board
      1990-91    Critical Thinking workshop participant
      1985-88    Course and Curriculum Committee
      1984-88    Taylor College Faculty Fellow (occasional visitor)
      1982         "Writing Across the Disciplines" workshop participant
      1982         Linderman Library, Music Exhibit annotations during Bach festival
      1980-85    Music Committee for Linderman Library