Starch Techniques and The Web
Introduction
The following topics have been
modified to be web-based applications of the Starch techniques
as identified by Walter Weir.
While not all of the original
Starch techniques can be applied to the web -- due to the
combined print/video/audio nature of web-based marketing --
many techniques do apply.
These techniques are organized
below according to Walter Weir's original outline.
-
Orderly, geometric
designs obtain greater noting than cluttered elements.
-
Liberal use of white
space attracts and holds more readers than crowding the
elements.
-
Photographs obtain
higher response than either drawings or paintings - except
in the illustrations of women's fashions.
-
Illustrations featuring
women, babies, flowers, or other items liked, worn, or
used by women attract more female readers than male readers.
Conversely, illustrations featuring men, automobiles,
guns, and items generally liked, used, or worn by men
attract more male readers than female readers. This is
important to bear in mind when the target audience is
either men or women.
-
The best position for noting and reading
headlines is under the main illustration. The next best
position is over the illustration. When there is no illustration,
the headline should be set in large type above the copy
in plenty of white space. Also, headlines set totally in
capital letters will get less reading than headlines set
in caps and lower case.
- Headlines set in italics obtain less reading than headlines
set in roman type.
- Headlines set in one line - or, at the most, two - obtain
more thorough reading than headlines set in three lines or more.
- Headlines obtain less noting and reading when they are printed
in so-called reverse type - light against dark. Headlines printed
in dark on light obtain the highest noting and reading.
- Headlines printed over part of an illustration obtain less
response than headlines with nothing behind them -- unless suitable
shadows or glows are employed. This applies as well to headlines
crowded by other elements of the advertisement. The more "white
space" around a headline, the better the headline will
be noted and read.
Typography
- Text set in short paragraphs
has better reading than text set in lengthy paragraphs.
- A short first paragraph is more
likely to start the reading of the copy than a long first paragraph.
-
Serif versus
sans-serif: Traditional video knowhow advised sans-serif fonts,
but the advent of the computer has confused the issue. Generally
speaking, if there is a great deal of content to be read,
a serifed font will work better. The jury is still "out"
on this one.

- Text printed in reverse - or
in light letters against a dark background - will usually obtain
less reading than text printed in dark on light.
- Long copy is more likely to
be read when interspersed with subheads either in roman or italic
letters set throughout its length and usually in boldface.
- Setting an occasional word in
text in italics or underlining tends to increase reading of
the copy in general. However, setting the text totally in italics
- or underlining it in toto - will definitely reduce the amount
of attention given to it.
- Using "white space"
between paragraphs rather than having the text set solidly will
obtain higher reading for the message.
- "Widows" - or final
lines of paragraphs that do not occupy full width of the column
- tend to invite more reading of the copy than text in which
every line, including the last line of every paragraph, is full
width of the column.
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